Ultrafeed® Adventures: Sewing a Winter Boat Cover

Dianne Smock learned to sew at a young age but never considered herself an experienced sewist. That is, until she tackled the project of a lifetime — a winter sailboat cover for her Bayfield 32, named Tilgata. For such a large-scale and heavy-duty project, she needed something tougher than her home sewing machine. There was no question about which machine to choose. Dianne purchased the Sailrite® Ultrafeed® LSZ-1, and the boat cover was the first project she made with it. In addition to the Ultrafeed, she also utilized Sailrite how-to content and the guidance and advice of our customer support staff to design and craft her massive, three-section winter cover.

The original cover that came with the boat was in rough shape and poorly designed. The massive cover was one piece and weighed about 60 pounds. The cover was assembled on a frame consisting of metal poles that snapped together across the hull. “It took half a day just to assemble the frame. Hauling the cover up and over the frame was a two-person job (or more). The hook-and-loop fasteners had long ago lost their ‘stickiness.’ In addition, it had been modified to fit the boat without the mast; we had to cut it to fit around the mast and then fill the gap with tarps.” Not only was the cover difficult to manage, it did not adequately protect the boat’s interior during harsh winter weather.

Even though Dianne bought the Ultrafeed LSZ-1 specifically for sewing the boat cover, she wasn’t going to let a machine like that go to waste! After she tackled the massive sailboat cover, she stitched up a grill cover, replaced her dodger windows with new Strataglass™ window material, and made slipcovers for her living room chairs.

This slideshow requires JavaScript.

Keep reading to learn more about Dianne’s story and how she conquered the DIY of a lifetime with her new Ultrafeed, Sailrite how-to videos and help from the Sailrite customer support team.

Q. Can you tell me about the design process of creating your winter sailboat cover?

A. My main objective was to create something that my husband, Randy Anderson, and I could put on and take off by ourselves, so weight was a big deal. I started out with a five-piece design that evolved to the current three pieces, each of which weighs around 10 pounds. I worked it out on paper and sent the design to Sailrite for confirmation that it would work and that I had measured the fabric correctly. We turned our living/dining room into a factory and my husband made a production line to help with the long seams. The pieces zip together; the zippers are hidden under flaps that ensure weatherproof closure. All told there are 41 yards of fabric, eight zippers ranging from 16-96 inches, and the 20+ collars and boots are fastened with hook-and-loop closures. We finished it in October 2020 and Tilgata made it through the harsh northern Michigan winter clean and dry.

This slideshow requires JavaScript.

Q. Why did you choose the Ultrafeed for your boat cover project?

A. Randy has known about Sailrite for years and subscribed to your catalog many years ago. We even still have a 1992 catalog! He had envisioned making his own sails at one time long ago. He bought what he thought was a “heavy duty” machine (not from Sailrite) but, as often happens, other priorities came about and the machine was stored in our basement unopened for nearly 20 years. When I decided to make a new cover, we got the machine out, and I saw immediately that it was not truly heavy duty, so we decided to do it right this time and get a Sailrite machine. I chose the Ultrafeed LSZ PLUS because I knew enough about sewing to know that I would someday need the zigzag feature, and I liked the PLUS package of accessories. I like that it can be used for regular sewing jobs as well as big jobs. I don’t think Randy will tackle sailmaking in the future, but he will likely try out the Ultrafeed on some leather projects.

sailrite catalog
Blast from the past! Randy’s copy of the 1992 Sailrite Catalog.

Q. You watched our Winter Sailboat Cover video as well as contacted Sailrite customer service with questions. Can you tell me a bit about what your experience was like working back and forth with our customer service team?

A. I must have watched portions of that video a dozen times! Whenever I got stuck on how to do something, I went back and watched the relevant section until I could replicate it. I developed several versions of the cover design before sending it to your customer service folks for confirmation that the cover would work with the fabric I had selected. I asked dozens of questions and got prompt responses from Bill Becker in Customer Support. Probably the most difficult part of the project for me was figuring out where to cut the slits for the stanchions, stays and shrouds. I was afraid I would ruin the whole thing if I made a mistake. Bill was very reassuring that it didn’t have to be perfect, and he was right — the collar and boot configuration was actually quite forgiving and left some “wiggle room” for an imperfect slit.

Q. How did you feel after you finally completed the cover and you put it on the boat the first time?

A. Relief! It fit! We made a couple of trips last winter to the boat just to make sure everything was intact. When we opened it up this spring, we found a clean and dry deck, which made me very happy. And putting it on this fall was a pleasure — it went on very quickly and easily.

This slideshow requires JavaScript.

Q. What do you love about being on the water and the sailing lifestyle?

A. First and foremost, we love the majesty of the water and its endless challenges. Nothing beats the moment when the engine is turned off, and the wind fills the sails and propels us — often without care of where we are going — just the enjoyment of the movement. Second, we love the people we have met. Marinas are filled with interesting people and fascinating stories, and we have made friends with wonderful folks from all over.

Q. Where do you launch your boat? Do you do day sails or weekends?

A. Although we live in the Detroit area, we keep our boat in Cheboygan, Michigan, which is 15 miles east of the Straits of Mackinac on Lake Huron. There are many interesting ports and sailing options in the northern Great Lakes. I consider the boat my “up north” cottage; we spend as much time on the boat in the summers as our schedules allow. We do mostly day sails; our trips are usually just two to five days, although we would like to do longer trips … maybe next year.

Q. What do you love or relate to about the DIY lifestyle?

A. I have always been a “doer,” needing to be busy. For many years while I was working and raising kids, I didn’t have much time to devote to projects, although my husband and I have remodeled three houses, doing much of the work ourselves. Since retiring I have looked for new things to do. I have started refinishing old furniture, crocheting, baking and sewing. I’m currently working on restoring a century-old treadle sewing machine that belonged to Randy’s great-grandmother. I like the satisfaction of completing a task — although that feeling doesn’t last long, so I’m off to the next thing!

Dianne and Randy are all smiles after installing the new cover system. What an accomplishment!

What sewing projects are on the horizon for Dianne? This upcoming winter season she’ll be sewing new cockpit cushions for Tilgata. With the Ultrafeed LSZ-1 by her side and her newfound confidence in her sewing skills, we know she’ll tackle the job like a pro.

Dresses & Bags & … Boat Dodgers?! Oh My!

When the time came to replace the dodger on Ellen Bell-Irving’s 18-foot Maritime Skiff, she turned to her good friend of 30 years and fellow sewer, Pat Kane. Both women have a long history of sewing, but neither had tackled such a large marine project before. They put their heads together and put their trust in Sailrite® to provide them with the products, techniques and confidence to take on the boat dodger with an Ultrafeed® LSZ-1 and Sunbrella® Marine Grade fabric. Read on to learn how their first foray into marine sewing went!

Ellen and her family use their boat for sailing around Casco Bay in Maine.
Ellen and her family use their boat for sailing around Casco Bay in Maine.

Ellen’s center console boat, the “Alibelle,” is used for general transportation to and from the island where she and Pat met in the spring of 1988. The 30-acre island in Casco Bay, Maine was newly subdivided and they were building their summer homes at the same time. Their first homeowners’ association meeting was the beginning of a new friendship. When they learned that their permanent residences were just a few towns apart in Massachusetts, summer parties turned into skiing trips and winter get-togethers. Thirty years on, Pat and Ellen still enjoy spending time together for dinners and family occasions. And, of course, for sharing their love of sewing.

No stranger to sewing, Ellen felt comfortable repairing her old dodger. She learned to sew by taking a course in the 1970s. After learning the basics, she bought her first sewing machine: a Viking® she named Betty after her sewing teacher. “I made a few clothing items and made pinch pleat drapes for my house,” Ellen said of her sewing background. Over the years, Ellen also used her skills to sew costumes and clothing for her family. And when it had finally gotten to the point that a new dodger was needed, it was an easy choice to make it herself, noting, “it’s only seven pieces of material.” How hard could it be, right? 

Ellen is no stranger to sewing! Here she is looking at a zipper.
Ellen is no stranger to sewing! Here she is looking at a zipper.

Well, turns out it was more complicated than anticipated. Realizing she couldn’t do it alone, Ellen called on Pat for help. Pat, a professional seamstress, learned how to sew from her mother on a treadle sewing machine (“eons ago,” she said!). Her earliest sewing projects were clothes for her Barbie® doll. From there, Pat was hooked. “I have sewn ever since — costumes for high school plays, uniforms, clothing for others, clothing for myself and family.” Pat loves sewing so much, she made it her business. “I took classes in couture work…and started my business, Costumes and Custom Clothing, around 2000.” Pat’s business keeps her busy with custom theater costumes and bridal alterations; she even altered Ellen’s daughter’s wedding dress. 

A professional seamstress, Pat is comfortable behind a sewing machine.
A professional seamstress, Pat is comfortable behind a sewing machine.

Given their backgrounds, Pat and Ellen certainly had the skills required to sew a dodger. What they needed now was supplies. Ellen’s research on Sunbrella fabrics led her to the Sailrite website, and another friend recommended the Ultrafeed LSZ-1 to Pat: “I heard about Sailrite from a friend who sails a 42-foot sloop. She bought an LSZ-1 to make everything for the boat, and recommended it highly.” Together, Pat and Ellen decided to place an order for a new Ultrafeed, which they named Maxine, plus Sunbrella Marine Grade fabric, the Sailrite Edge Hotknife and all the notions they needed to make their dodger. The Ultrafeed came so highly recommended that once it was delivered, Pat immediately set it up and started sewing tote bags out of old sailcloth. She definitely understood the hype: “My home machine would not sew this material, but Maxine sewed through it like butter. So fun!” 

Over the course of the winter, Pat and Ellen set up folding tables and turned Ellen’s living room into a canvas workshop. Then they got to work.

The pair watched Sailrite videos to figure out where to start. “Your videos show how to create a pattern on the boat, but this was February 2021 and the boat was in storage in Maine,” Ellen said. So they fell back on Pat’s seamstress training. They took apart the existing dodger and used it to create a pattern. From there, they made a muslin mock-up and proceeded through a series of fittings. “We made a day trip to Maine to fit the mock-up. We marked it up, noting the positions of the snaps and other details,” Ellen explained. 

Pat and Ellen with the boat dodger
Pat and Ellen are all smiles in front of their completed boat dodger!

Using the muslin as a guide, they altered the pattern, cut out the dodger pieces using the hotknife and sewed them together. They relied heavily on Sailrite’s instructional videos for every step. Pat described their process: “We carefully watched the videos of dodger-making, especially the one about inserting a window into canvas. We paused the video, sewed, then restarted, watched the next step, paused and sewed. It worked!” 

Pat and Ellen took the finished dodger to the boatyard in Maine for a final fitting and borrowed a tool from the boatyard to install the snaps. It was a perfect fit! They weren’t the only ones impressed with their handiwork; “The boatyard owners wanted to know then and there if we wanted more work!” 

finished dodger
Here it is! The finished boat dodger.

They may not be ready for more dodgers, but these two friends aren’t done creating together. They’ve got more “couture canvas” projects they can’t wait to start. Up next is a console cover for the “Alibelle” and new cushions for the 25-foot Mako Ellen’s daughter and son-in-law have recently purchased. They’re also making bags out of Sunbrella fabric to give as Christmas gifts, which Pat will embroider. 

With so many projects on the docket, we’re so glad Pat and Ellen have an Ultrafeed on their side. We can’t wait to see what Pat, Ellen and Maxine the Ultrafeed make next! 

Stitching Pieces of the Past: Quilt Artist Kathleen McVeigh

What do you see when you look at a quilt? An old-fashioned bedspread? Something your mother or grandmother used to sew? Most of us only see what’s in front of us: cotton, batting and thread. We don’t look past what it is to envision what it could become. That’s what sets Kathleen McVeigh apart. She doesn’t see just a quilt. She sees a coat, a dress, a top, a bag — she sees endless possibility and potential. With care, thoughtfulness and great consideration, Kathleen transforms handmade vintage quilts into one-of-a-kind garments and accessories. With the help of her Ultrafeed® LS-1 Sewing Machine, she is bridging the past to the present and creating something truly unique.

quilted coat
One of Kathleen’s unique quilted coat designs.

Transformation. It’s the core of all DIY. To take something and turn it into something else. Breathing new life into heirloom quilts is Kathleen’s calling. With a background in fine art, she has used her creative talents and eye for design to transform these forgotten treasures into beautiful coats, dresses and bags for a new generation to fall in love with and cherish all over again.

Kathleen’s love of quilting runs deep. She grew up watching her grandmother quilt and, later, taught herself to quilt as an adult. “My grandmother taught me to sew when I was 4 or 5. I would go over to her house for visits or sleepovers and she would give me some of the triangle pieces she was quilting to sew together while we watched movies. I have really good memories of sewing with my grandmother and learning about the different fabrics we were using, mostly from old family clothes, linens, sheets or curtains.”

You can imagine that a great deal of consideration goes into cutting apart quilts and piecing them together, creating something completely new yet that retains the beauty and personality of the original quilt. Considering how much time goes into making a quilt — vintage quilts took anywhere from several months or even years to complete — you can tell that Kathleen has the utmost respect and appreciation for the original quilter, and she reflects that in the care and attention she puts into creating her coats and other quilted goods.

Kathleen started her business, Kitty Badhands, in 2016. At the time, she focused solely on handcrafting minimalist modern quilts and custom, made-to-order quilts. Due to time limitations, it was a part-time hobby. In 2020, she relocated her sewing studio to her apartment and space became a major issue. So, she decided to make a quilted coat because it was a project that she could work on in her dining room. What she intended as a personal side project turned into the future of her business and brand. “The response from friends also wanting a coat was overwhelming, and it grew from there into a full-time job fairly quickly.”

We sat down with Kathleen to learn more about her DIY inspiration, her history with sewing and quilting, and why she chose the Sailrite Ultrafeed to help her turn quilts into unique and wearable works of art.

This slideshow requires JavaScript.

Q. Do you consider yourself a creative person?

A. I do. I think almost everyone is creative in their own way, and my creativity manifests itself visually. I love dreaming up forms in my head and being able to create those forms with my hands. Whether that’s making a coat, a sketch, the way I decorate a room, or cook a meal, I think creativity is a huge part of what makes everyday life interesting and exciting.

Q. What do you love about the DIY and creative lifestyle?

A. The DIY/creative lifestyle, in my case, has been about creating and building the Kitty Badhands brand. There is so much to love about running my own business. I get to do what I love every day, on my terms, and I get to be my own boss. I worked in the service and restaurant industry for 12 years. Every day, when I would go to work, I would think: “This isn’t what I’m supposed to be doing. This isn’t a good use of my energy and it doesn’t make me happy.” Having a creative and DIY lifestyle for me means living on my own terms and being responsible for my own happiness and survival. It’s a dream.

A handful of Kathleen’s stunning creations!

Q. How did you get the idea to turn vintage quilts into one-of-a-kind coats?

A. I had a beloved wool coat that was passed down to me by a friend. The cut of it was very unique and it was beginning to fall apart. I tried to mend it, and when that didn’t work, I decided to cut the coat apart and try to use the pieces as a pattern to recreate the same coat from a new material. I think I naturally gravitated toward remaking the coat out of a quilt because I felt very comfortable working with quilts (I had already been quilting for several years), and the quilt I had in mind to use was a similar weight and thickness to the wool from the coat. This was just a personal side project for me, but friends were really interested in the coat I made and wanted one of their own. So I started making them for friends and, eventually, folks I had never met started asking for their own quilt coats.

Q. Can you describe the process of turning a quilt into a coat?

A. I first spend a lot of time looking at the quilt and thinking about how I will cut it up. I only ever cut into vintage quilts that are damaged in some way and in need of new life (stains, rips, holes, etc.). If I find an heirloom quilt in pristine condition, I leave it alone, as it would be wrong to cut into something like that. Once I have an idea of how I want the coat to look, I lay my coat pattern pieces over the quilt, making sure I have enough quilt to work with (sometimes I find out that I don’t and then I have to rethink the placement and design), and then trace them with a chalk marker. I cut all of the pieces and now I’m ready to sew.

First, I work on lining up and attaching pockets first. Next I sew up the sleeves. Lastly, I attach the front panels to the back panels. Then I serge all of the seams together before attaching the sleeves to the body of the coat. I use a mannequin to pin and adjust as I work. After serging the armholes, I work on either a collar or a hood and attach it to the neckline of the coat. The last part of the sewing process is all of the topstitching to keep seams folded and to give it a more professional finish. I use antique brass snaps for my coats, and I measure and mark where the snaps will go so that the coat will come together evenly when snapped. I either use a snap fastener or a hammer, depending on how thick the quilt I’m working with is. My final step is sewing in my tags; it feels like I’m “signing” the work and deciding that it’s finished.

From quilt to coat!

Q. How do you acquire the quilts and where do they come from?

A. They come from all over. When I started, I had a small collection of handmade quilts that I had collected from thrift stores and estate sales throughout the years, but those ran out very quickly. Right now, because of COVID, I am mostly finding my quilts on websites that do online auction and estate sales. I am excited that in-person estate sales and antique shops are beginning to open back up in my area. A nice surprise has been that as my business has grown, folks have begun to reach out to me with quilts that they want to sell, or local people will tip me off to a quilt that is for sale in one of the thrift/antique stores in town. Searching for and finding old quilts that speak to me is one of my favorite parts of the job.

Q. What made you decide on an Ultrafeed Sewing Machine?

A. What first caught my eye was the design and look of the machine itself: I think it’s quite beautiful and stylish. What made me decide to pull the trigger on purchasing one was that Sailrite seems to be a very involved company that cares about its customers. There were lots of glowing reviews, lots of troubleshooting videos on YouTube, and I heard that the manual was very easy to follow (super important for me). I’m a visual person, so I used the Sailrite videos almost exclusively instead of the guidebook to set up my machine, learn how to thread the machine, and how to wind the bobbin. They were super clear and helpful.

sewing with ultrafeed
Kathleen works on a quilted project with her Ultrafeed LS-1.

Q. How has the machine performed for you?

A. It’s been a business-saver. It has been able to sew through many thick layers of heavy quilts. I have a stack of thick quilts that have just been sitting on my shelves because my other sewing machine could not handle them. So far, the Ultrafeed hasn’t encountered a single quilt that it can’t sew through.

Q. Where does your design inspiration come from?

A. When I first started out, I didn’t really “design” the coat at all. I would just start cutting and the finished pattern was a surprise (sometimes good and sometimes not so good). It was by doing this and seeing the different results that I started to understand how the different pieces of the quilted coat would come together. Now, I can look at a quilt and the coat jumps out at me. I can visualize how different parts of the quilt would lend themselves to a sleeve or a pocket, or where the patterns will come together at the seams of the back and front. It’s very important to me that the pattern flows seamlessly throughout the coat to create one cohesive piece and that there is a balance of different colors and shapes throughout. The most exciting, and also excruciating, part of the design process is that I can often see many different ways a quilt could be cut to make a coat. Each option would create something that looks entirely different, but there is only one quilt and one opportunity to make the coat. Deciding which direction to go can be difficult.

Recently, Kathleen has expanded her quilted offerings to include dresses, tops, totes and clutches. With the weather getting warmer, she wasn’t sure customers would be interested in purchasing coats during the summer months. Adding warm-weather wearables was a natural next step in her new and growing online business. Her quilted totes incorporate a waxed canvas base and strap, adding a modern look and finish to her classic quilted style. Kathleen relies on her Ultrafeed to handle the thickness of the combined waxed canvas and quilt layers.

It takes a special person to appreciate the artistry and dedication that goes into cutting, piecing, sewing and binding a quilt. Kathleen gives these once-loved quilts the care and attention they deserve. They are in good hands with Kathleen. Someone’s beloved heirloom is no longer lost to history. She gives these family treasures a new life as they find their way into the hands of someone who will cherish them as much as their original creators.

If you’d like to see more of Kathleen’s quilted creations, you can follow her on Instagram at @kittybadhands.

DIY & EDC: A Match Made in Self-Reliance

What is EDC? It stands for “everyday carry” and it represents a lifestyle of utility and preparedness. EDC items consist of pouches, bags or backpacks containing everyday essentials. A person’s EDC kit is very personal, containing items they think are essential to their daily life. Typical EDC items include things like keys, wallet and phone, but also a small flashlight, pen and notebook, lighter, pocket knife or multitool — things that all serve a purpose and have a useful function. Having these essentials with you every day means that you’re ready for anything and prepared for the unexpected — should the need arise.

What do EDC and DIY have in common? More than you’d think. At its core, EDC embodies a belief in always being prepared but also being able to take control of a situation and handle it on your own. That kind of self-reliance and self-accountability is echoed in the heart of every DIYer. Having the right tools to handle any situation has a common thread in the DIY lifestyle.

Tim Galloway is a newcomer to both the DIY and EDC communities. He’s a professional photographer who has worked in news and done some commercial work for the past 10 years. But when the COVID-19 pandemic hit, it put an indefinite hold on his photography business. With time on his hands and a desire to stay busy and productive, he turned his attention to something that has always piqued his interest: sewing EDC items.

ultrafeed sewing
Tim sews an EDC bag using his Ultrafeed LSZ-1 Sewing Machine.

The EDC community is popular and growing, and Tim is carving out his own space with his small business, goodwerks. Right now, it’s a one-man operation. Tim cuts the patterns for his bags and EDC accessories and sews everything himself. At first, he was using a home sewing machine. But he quickly realized it wasn’t powerful enough to sew through the heavy-duty layers of his bags and straps. He discovered the Sailrite® website and ordered the Ultrafeed® LSZ-1 Sewing Machine. With the Ultrafeed, he’s been able to sew with professional results and deliver the quality that the EDC industry demands.

Join us as we get to know this small-business owner, his DIY philosophy, and how Sailrite could be part of his sewing journey.

Sewing & Sailrite

Tim had never sewn before he decided to give his EDC hobby a real shot at success. But he didn’t let that small hiccup stop him. “I learned to sew in May of 2020 mainly through YouTube tutorials and trial and error. My mom helped me search for a domestic machine that would be able to handle heavier materials as I sew primarily Cordura and webbing. I grew out of that machine very quickly as I realized that it wouldn’t be able to handle the layers as smoothly as I had hoped and certainly not the volume. Especially if I’m sewing daily or close to it.”

In need of a heavy-duty machine that could handle materials like Cordura, ripstop and webbing, Tim started his search. “I did a bunch of research. I looked at a lot of other machines, peeking at Juki, Consew, etc. Frankly, the price point was a bit out of reach for me for a Juki setup, and I really wanted a new machine. I watched a ton of videos and read a bunch of articles. The thing that drew me to the LSZ-1 was the walking foot, ease that it dealt with heavier materials (like, you know, sails), the optional Workhorse® Servo Motor (which I use with the full table setup) and the fabled legendary customer service.”

He received his Ultrafeed LSZ-1 in July of 2020 and has been sewing with it regularly. Even though Tim is a new sewer, he still had a lot to say about the machine. “The machine works really well for flat work. I think with the correct thread and needle setup, it is pretty smooth sailing (see what I did there?). I really enjoy having the servo motor so I can sew at night when my wife is sleeping. With this being the only industrial-type machine I’ve used, there are a lot of things I don’t know about how they operate. So there was a bit of a learning curve. I refer to the manual somewhat often and have had to learn to have a few extra parts on hand in the event of a maligned needle strike, etc.”

tim sewing

The EDC Community

Tim’s bags and pouches are simple in design and are made with high-quality fabrics and hardware pieces. He uses 1000D Cordura fabric with a ripstop liner for a professional look and to help with water resistance. Cordura is well-known in the hiking, camping and rucking communities for its incredible durability and water resistance. Tim’s most popular design is the Boogie Bag, which is a fanny pack with zippered compartments to keep everything organized. “I based it off of other, similar bags but addressed a few things I did or didn’t like on others. I want my products to ooze quality and durability. My company slogan, if you’d call it that, is ‘Simple. Durable. Handmade.’ I’m not really looking to reinvent the wheel but just bring quality into small soft goods.”

Tim’s current demographic is people in the rucking community. Rucking is a form of endurance training that involves marching at a fast pace carrying a weighted pack. Anyone can ruck as a form of exercise, but those who participate in GORUCK events are serious endurance athletes who expect a lot from their gear. And they have started turning to goodwerks for their rucking needs. “I’ve been very fortunate to have made fantastic friends in that community who have supported my small business and buy from me every time I drop goods. I mainly sell out of my stuff but am slowly building stock. Ideally, I want to transition more to the EDC community. I want my products to be accessible for all folks that are interested in quality gear for their everyday organization and needs.”

“I hold high the value of handmade goods and small businesses. From personal experience, I know how challenging it is to run your own business. How you have to wear a lot of different hats to make things come together. The late nights, early mornings, weekends you sacrifice, and so on. I think that when people can find something that they care about enough to devote to that, it deserves praise. When I make my products I know that they’re not going to be perfect every time, but I do the best I can to make them look like they were produced on a mass scale. I take a lot of pride in my gear, and it’s incredibly rewarding getting positive feedback.”

This slideshow requires JavaScript.

Doing Good Works

Part of Tim’s mission with goodwerks is to become a contributing member of his local community and to, in essence, put good into the world. Where did the name “goodwerks” come from? We’ll let Tim explain: “goodwerks came about with the help of a friend. I initially was going to call it ‘threadwerks’ or something similar. But my friend Dan told me to take a look at the back of my right hand, which is tattooed with the word “good” and an ax through the letters. It’s a reminder to ‘sharpen my axe’ daily and to make the best of all situations.”

Good isn’t just part of his business’s name. It’s also fundamental to Tim’s personal philosophy and a guiding principle for the way he lives his life each and every day. “A large part of my business is to give back and to create good in the world. Each month, people that follow my Instagram account nominate others to receive some free gear from me. It’s a simple gesture to show others appreciation. I also am working on having regular raffles that benefit nonprofit organizations, mainly organizations that are veteran-oriented. In November 2020, with the help of my favorite local coffee shop donating some coffee, and a slap/patch maker, we raised $1,250 for One More Wave, a foundation that helps wounded veterans get surf therapy.”

tim with EDC bag

Tim recently held his second nonprofit raffle and raised $1,700. Proceeds went to The Enduring Campaign, a Michigan-based nonprofit that offers job placement and other support to the homeless veteran community. Good works and gratitude keep Tim humble through the growing success of his sewing business. “There’s no way I’d still be running with this little business without the community that’s helped support me. The people that have spent their hard-earned money with me have helped me stay afloat during the shutdowns. It’s incredibly humbling every time I get an email with an order. goodwerks doesn’t exist without the community surrounding it.”

Tim’s positive outlook on life and his desire to pay it forward is something we can all appreciate and strive toward. It’s a nice reminder that anyone can give back and put some goodness into the world, whether that’s through DIY or by other means. The world could use a few more people like Tim. Putting good into the world, even in a small way, has a ripple effect that grows and expands beyond our sight. Let’s all go do some good.

tim sewing

If you’d like to follow Tim’s EDC sewing adventures you can follow him on Instagram @goodwerks.